Fil:Cornelis Tromp, 1629-91 RMG BHC3060.tiff

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Beskrivelse

Peter Lely: Portrait of Cornelis Tromp, 1629-91  wikidata:Q50855064 reasonator:Q50855064
Kunstner
Peter Lely  (1618–1680)  wikidata:Q161336
 
Peter Lely
Alternative navne
Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes
Beskrivelse hollandsk maler og art collector
Fødsels- og dødsdato 14. september 1618 Edit this at Wikidata 30. november 1680 Edit this at Wikidata
Fødsels- og dødssted Soest London
Arbejdsperiode ca. mellem 1637 og 1680
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1637-00-00T00:00:00Z/9,P1326,+1680-00-00T00:00:00Z/9,P1480,Q5727902
Arbejdssted
Haarlem (6. oktober 1637), London (1641-1680), Amsterdam (1656)
Autoritetsdata
creator QS:P170,Q161336
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Titel
engelsk:
Cornelis Tromp, 1629-91 Edit this at Wikidata
title QS:P1476,en:"Cornelis Tromp, 1629-91 Edit this at Wikidata"
label QS:Len,"Cornelis Tromp, 1629-91 Edit this at Wikidata"
label QS:Lnl,"Portret van Cornelis Tromp (1629-1691)"
Object type maleri
object_type QS:P31,Q3305213
Genre portræt Edit this at Wikidata
Beskrivelse
English: Cornelis Tromp, 1629-91

A three-quarter-length portrait to right facing forward, with a rocky seashore as background to the left and the stern of his flagship 'Gouden Leeuw' (Golden Lion) in action at the Battle of the Texel, 1673, to the right flying the Amsterdam double-prince ensign and flag appropriate to his rank as Lieutenant-Admiral of Holland. He wears a brown coat over a white shirt with an orange sash at the waist. In his right hand, which rests on the muzzle of a naval gun, he holds the baton of commander of the Dutch fleet.

The sitter was the second son of Maarten Tromp. When he was still only nineteen he commanded a squadron in the Mediterranean and was promoted to flag rank on the death of van Galen at the Battle of Leghorn in 1653. In the Second Dutch War he commanded a division of the fleet at the Battle of Lowestoft in 1665, the Four Days Fight, 1666, and St James's Day 1666. He was relieved of his command after complaints from de Ruyter about his undisciplined behaviour. In the Third Dutch War (1672-74) he was reinstated and fought in all three fleet actions, particularly distinguishing himself in the last, the Battle of the Texel in1673. He was a friend of King Charles II and this portrait was painted when Tromp visited London in 1675 and Charles II made him a baronet. The view of the 'Gouden Leeuw' is by van de Velde the Younger, or his studio.

Lely, a Dutchman who arrived in England in 1641 shortly after the death of Van Dyck, soon became, his successor as leading portraitist of the day. He worked for Charles I, continued to flourish under the Commonwealth and Protectorate and after the Restoration of 1660 was appointed Principal Painter to Charles II. Lely, a Dutchman who arrived in England in 1641 after the death of Van Dyck, soon became his successor as leading portraitist of the day. He worked for Charles I, continued to flourish under the Commonwealth and Protectorate, and after the Restoration of 1660 was appointed Principal Painter to Charles II.

Cornelis van Tromp 1629-91
Depicted people Cornelis Tromp Edit this at Wikidata
Dato ca. 1675
date QS:P571,+1675-00-00T00:00:00Z/9,P1480,Q5727902
Teknik olielærred Edit this at Wikidata
Mål Frame: 1462 mm x 1226 mm x 90 mm;Overall: 34.8 kg;Painting: 1270 mm x 1015 mm
institution QS:P195,Q7374509
Nuværende placering
Museumsnummer
BHC3060
Noter It will need to be checked for object numbers and its condition activity updated
Referencer
Kilde/Fotograf http://collections.rmg.co.uk/collections/objects/14533
Tilladelse
(Genbrug af denne fil)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1954-28
id number: BHC3060
Collection
InfoField
Oil paintings

Licensering

Dette er en troværdig, fotografisk gengivelse af et originalt todimensionelt kunstværk. Kopier af kunstværket er offentlig ejendom af følgende grund:
Public domain

Værket er også offentlig ejendom i lande og områder, hvor ophavsrettens længde er ophavsmandens levetid plus 100 år eller derunder.


Dette værk er offentlig ejendom i Amerikas Forenede Stater (USA) fordi det blev udgivet (eller registreret hos U.S. Copyright Office) før 1 januar 1929.

Den officielle holdning, som Wikimedia Foundation følger er, at "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For yderligere oplysninger, se Commons:When to use the PD-Art tag.
Denne fotografiske gengivelse betragtes derfor også som værende offentlig ejendom Vær opmærksom på, at, afhængig af lokale love, kan brug af dette indhold forbydes eller begrænses i dit område. Se Commons:Reuse of PD-Art photographs.

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nuværende19. sep. 2017, 18:21Miniature af versionen fra 19. sep. 2017, 18:214.971 × 6.200 (88,18 MB)Royal Museums Greenwich Oil paintings (1675), http://collections.rmg.co.uk/collections/objects/14533 #1046

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