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* [[Frimureri|frimurer]] og blev optaget i [[loge]]n Zur Einigkeit, [[Frankfurt am Main|Frankfurt]] i året 1841.
* Stor nyder af [[cuba]]nske [[cigar]]er og har udtalt "''A good Cuban cigar closes the door to the vulgarities of the world.''"
== Værker ==
{{oversæt}}
=== Værker med opus ===
==== Værker fra sin barndom ====
* Huit Variationer op.1
* Syv Variationer på en melodi af Rossini op.2
* Brilliant Impromptu om emner af Rossini og Spontini Op.3
* Deux Allegri di Bravura op.4
Disse ovennævnte værker blev udgivet 1824, Opus nummer 5 stod ubrugt.
* Etude i Tolv Øvelser op.6, udgivet første gang 1826. Senere udgave udgivet af Hofmeister, Leipzig, som Op.1 marts 1839.
==== Værker fra sin ungdom ====
* Grande fantaisie sur une Tyrolienne de l'Opéra La fiancée de Auber Op.1. 1:a version 1829, uropført af Liszt den 7. april 1829, Paris, 2. version 1835, uropført af Liszt den 1. oktober 1835, Genève.
* (1832-34) Grande Fantasie de Bravoure sur La Clochettede Paganini op.2, første optræden af Liszt 5. November 1834, det var en komplet fiasko for Liszt.
* Opus nummer 3 aog 4 stod ubrugte.
* (1835) Trois morceaux de salon op.5, revised 1838.
** Fantaisie romantique sur deux airs suisses.
** Rondeau fantastique sur le thème "Il contrabandista" de Manuel Garcia, første optræden af Liszt den 28. January, 1837, Paris.
** Divertissement on the Cavatina "I tuoi frequenti palpiti" from Pacini's La Niobe, first performance by Liszt on April 1, 1836, Geneva.
* (1835) Valse di bravura op.6, first performance by Liszt on May 28, 1836, Paris.
* (1835-36) Réminscences des Puritains op.7. Revised English edition 1840 (?), first performance by Liszt on May 5, 1836, Lyon.
* (1835-36) Deux fantaisies sur les motifs des Soirées musicales de Rossini op.8, revised 1840.
** La Serenata e l'Orgia op.8 no. 1, first performance by Liszt on May 18, 1836, Paris.
** La Pastorella dell’Alpi e li Marinari op.8 no.2
* (1835) Réminiscences de la Juive de Halévy op.9, first performance by Liszt on May 18, 1836, Paris.
* (1835-36) Trois airs suisses op.10
* (1836) Réminiscences des Huguenots op.11, revised 1842, first performance by Liszt on April 9, 1837, Paris.
* (1837) Grand galop chromatique op.12, it was Liszt's most popular concert piece during the time of his tours. Liszt played it at a private soirée given on April 6, 1838 by the Baroness Watzlar, Thalberg's mother, in Venice, on April 19, 1838; together with Clara Wieck in a four handed version at a soirée given by Haslinger in Vienna, and for the first time in a regular concert on May 2, 1838, in Vienna.
* (1839) Réminiscences de Lucia di Lammermoor 13, 1st part ("Andante finale") published in the beginning of 1840, first performance by Liszt on November 5, 1839. Triest, the 2nd part, published as "Marsch und Cavatine" in 1841 (without Opus number), first performance by Liszt on December 2, 1839, Vienna.
=== Værker uden opus (udvalg) ===
* (1822) Variation on a Theme by Diabelli (S/G147, R26)
* (1833-34) Piano arrangement of the Sinfonie fantastique by Berlioz (Rèveries - Passions, Un Bal, Scène aux Champs, Marche du Supplice, Songe d'une nuit de Sabbat), first performance of the movements Un bal and Marchen du supplice ("March to the Scaffold") by Liszt on December 28, 1834, Paris.
* (1837) Hexameron, Variations de bravoure sur une marche de Bellini, Introduction by Liszt, 1st variation by Thalberg, 2nd variation by Liszt, 3rd variation by Herz, 4th variation by Pixis, 5th variation by Czerny, 6th variation by Chopin, finale by Liszt. First performance by Liszt on December 10, 1837, Milan. The Hexameron was from 1837 to 1847 one of Liszt's most frequently played concert pieces. There are versions for four hand piano and for piano and orchestra by Liszt as well. In many cases the variation by Czerny (the only really difficult one)[citation needed] and the variation by Chopin had been skipped by Liszt in his concerts.[citation needed]
* (1840) Réminiscences de Robert le diable, first performance by Liszt on November 6, Hamburg, it was not a success because Liszt had not yet found time enough for practising it.[citation needed]
* (1840-41) Réminiscences de Don Juan, first performance by Liszt on September 25, in Frankfurt, Liszt played from the manuscript score.
* (1841-43) Réminscences de la Norma.
* (1841) Feuilles d'album ('Album Leaves').
* (1842) Fantasy on melodies from Don Juan and Figaro; left unpublished by Liszt; was published 1911 by Busoni; it was not "completed" by Busoni but shortened by about a half.
* Consolations; 1st version was composed late 1843/early 1844 and left unpublished by Liszt; 2nd version composed 1849.
* (1848) Ballade No. 1 in D flat (In original German:Ballade No. 1 in Des-dur), some materials were taken from an album leaf Dernière illusion, ecrit pour Marie ("Last illusion, written for Mary") from the end of 1845; in the French edition it has the title Le croiser ("The crusaer").
* (1853) Ballade No. 2 in B minor (German: Ballade Nr. 2 in h-Moll).
* (1848) Three Concert Etudes (French: Trois Études de Concert); No. 3, Un Sospiro ("A sigh"), (S/G144, R5).
* (1835-82) Années de Pèlerinage: Première Année — Suisse; Deuxième Année — Italie - Venezia e Napoli; Troisième Année; an early version of the first part had been published as Années de Pèlerinage, 1re année in June 1841 in Paris; in 1841 a second part "Italy" and a third part "Germany", were planned by Liszt. An early version of Venezia e Napoli containing altogether four pieces was engraved by Haslinger in the beginning of 1840 but left unpublished by Liszt. From the first piece of these, he later took materials for his Symphonic Poem Tasso.
* (1833-51 (?)) Harmonies Poétiques et Religieuses, (S/G173) a collection of solo piano pieces, including the well known No. 7, Funérailles.
* (1843-50) Liebesträume No. 3 ("Dreams of Love") in A-flat Major (piano solo) (S/G541, R211).
* (1850) Mazurka brillante.
* (1851) Transcendental Etudes (Prelude, Molto Vivace, Paysage, Mazeppa, Feux Follets, Vision, Eroica, Wilde Jagd, Ricordanza, Allegro Agitato Molto, Harmonies du soir, and Chasse neige. Known well for being technically difficult, notedly Mazeppa and Feux Follets) (S/G139, R2B), Composed 1837 (in most parts based on the 1826 studies), revised 1851)
* (1851) Grandes Etudes de Paganini, including No. 3, "La Campanella"; and No. 5, "La Chasse" (Composed 1838-39, revised 1851). The first version was published in Februar 1841 without dedication by Schonenbeger, Paris, and in autumn 1841 with dedication to Clara Schumann by Haslinger, Vienna.
* (1851-53) Piano Sonata in B minor (S/G178, R21).
* (1843-52) Valse-Impromptu, (S/G213).
* (1850) Polonaise No. 1 in C minor.
* (1851) Polonaise No. 2 in E Major; it was exceptionally popular in Lisz's times.[citation needed]
* (1851) Scherzo and March.
* (1852) 3 Valses Caprice.
** Valse de bravoure, revised version of the Valse di bravura op.6.
** Valse mélancolique, revised version of a prior version from 1840.
** Valse de concert sur deux motifs de Lucia et Parisina de Gaetano Donizetti, revised version of the "Valse a capriccio sur deux motifs de Lucia et Parisina de Gaetano Donizetti" from 1841. First performance of the older version by Liszt on October 11, 1841, Liège (Lüttich), Liszt played from the manuscript score.
* (1853) Soirées de Vienne, 9 Valses-Caprices d'après Fr. Schubert, No. 6 was most popular and one of the last pieces having been by Liszt at th end of his life.
* (1839-85) Nineteen Hungarian Rhapsodies (S/G244, R106) - among them the most famous Rhapsody No. 2; Rhapsody No. 6 (1854) is well known for its finale with octaves; the Rhapsodies No. 16 - No. 19 are seldom played but also of note.
* (1860) Mephisto Waltz No. 1 (piano solo) (S/G514, R181).
* (1863) Two Concert-Studies
** 1. Waldesrauschen
** 2. Gnomenreigen
* (1863) Slavimo Slavno Slaveni! for organ (S503, R196).
* (1863) Légende No. 2: St François de Paule.
* (1877) Dem Andenken Petőfis.
* (1881) Nuages Gris ('Grey clouds') (S/G199, R78).
* (1880-81) 2nd Mephisto Waltz.
* Mephisto Waltzes No. 2 - 4, No. 2 (1880-81), No. 3 (1883), No.4 (1885).
* Four Valses oubliées, No. 1 (1881), No. 2 (1883), No. 3 (1883), No. 4 (1883 (?)).
* (1885) Bagatelle sans tonalité (S216a).
* (1855) Prelude and Fugue on B-A-C-H for organ, rev. 1870.
* (1832-35) Malédiction.
* (1834) Symphonic Lélio Fantasy.
* (1830-1849) Piano Concerto no. 1 in E-flat Major (S/G124).
* (1839-1861) Piano Concerto no. 2 in A Major (S/G125) (revised 1861).
* (1849) Totentanz ('Dance of death') (S/G126ii), for piano and orchestra. (revised 1853-1859).
* (1854) Faust Symphony.
* (1857) Dante Symphony.
* (1848-61) Symphonic Poems
** Ce qu'on entend sur la montagne (also known as Berg-Symphonie), (1848-9) (after Victor Hugo)
** Tasso: lamento e trionfo, (1849) (after Byron)
** Les préludes, after Lamartine (1848, rev. before 1854)
** Orpheus, (1853-4)
** Prometheus, (1850)
** Mazeppa, (1851), after Hugo.
** Festklänge, (1853); an elaborated version of the first movement of a Revolution Symphony from 1830.
** Héroïde funèbre, (1849-50)
** Hungaria, (1854)
** Hamlet, (1858), after Shakespeare.
** Hunnenschlacht, (1857), after a painting by Kaulbach.
** Die Ideale (1857), after Schiller
** Von der Wiege bis zum Grabe (1881), after a painting by Zichy; it was in a first version made for piano.
* (1866) Christus (S/G3).
* Demko Miroslav: ''Franz Liszt compositeur Slovaque'', L´Age d´Homme, Suisse, 2003.
== Galleri ==
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